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CA Legislature drops copyright language in AB 2880. Much rejoicing commences!
According to my pal Kris Kasianovitz over at Free State Government Information, California Assembly Bill AB 2880, which would have granted state agencies sweeping powers to copyright their materials — a horrendously bad idea to say the least! — has been amended to remove ALL language about copyright! Please see these posts by the Electronic […]
LII and Justia give “Oyez Project” a new home. Supreme Court audio to remain free!
This is great news. A few months ago, the news broke that Jerry Goldman, who ran the Oyez Project, was looking to retire and cash in his site for upwards of $1 million. I was afraid that some for-profit publisher like WestLaw of LexisNexis was going to scoop it up. But now it seems that […]
NYPL makes 187,000 digital items available in public domain collection
Wow I’ve been lost in this new public domain search from NY Public Library’s NYPL Labs. And they’ve made the data and code available on github! Check it out for yourself. Go Public Domain! On January 6th, 2016, The New York Public Library made over 187K digital items in the public domain available for high […]
US government sends itself a takedown notice
As you may know, works of the U.S. Government are not protected by copyright in the U.S. (17 USC §105), but we often discover copyrighted government publications that one would reasonably think would be in the public domain and, more recently, we see works that were treated as public domain in print suddenly being treated as copyrighted when they are converted to digital. No matter how clear the law is, this can lead to confusing situations. Take the case of a movie produced by the United States Information Agency. USIA was was prohibited by law from distributing films in the United States, but a Congressional Resolution did authorize USIA to sell six master copies of the film to the John F. Kennedy Center for the Performing Arts. Then Carl Malamud obtained a copy of a video tape of the movie from NTIS, digitized it, and posted it at the Internet Archive. Now the Kennedy Center is claiming that the film is copyrighted and that the Center has exclusive rights for distribution and NTIS has requested that Malamud take down the digital copy he created. The Resolution (Congressional Record, August 26, 1965, p.21256) says:
Accordingly, the United States Information Agency is authorized to make appropriate arrangements to transfer to the trustees of the John F. Kennedy Center for the Performing Arts six master copies of such film and the exclusive rights to distribute copies thereof, through educational and commercial media, for viewing within the United States. The net proceeds resulting from any such distribution shall be covered into the Treasury for the benefit of the John F. Kennedy Center for the Performing Arts.The film begins with a notice (at 00:00:25) that says the film "is presented in the United States by the John F. Kennedy Center for the Performing Arts, Washington DC, in accordance with a resolution of the Congress." It ends (at 1:26:08) with what looks like a copyright notice (it is hard to read in the digital version) that (I think) says "Copyright 1964 by the National Center for the Performing Arts, All rights reserved." I assume that these were added by the Center to the original film. What will Malamud do? He asks you to advise him:
One agency of the federal government has issued a takedown notice to another agency of the federal government, which in turn demanded that we remove a film from the Internet. Not knowing what to do, I have appealed for your help. I hereby bring this plea before the Court of Appeals for Wonderful Things, appealing to a jury of my peers, all happy mutants, for their verdict.Read the complete story here:
- US government sends itself a takedown notice over JFK documentary: you decide what to do!, posted by Cory Doctorow, BoingBoing (Apr 26, 2013).
- John F. Kennedy: Years of Lightning/Day of Drums (1964), United States Information Service, AVA11312VNB1, 1964. (Run time: 1h 26' 18") The program dramatizes the thousand days of John F. Kennedy's presidency, from his inauguration in 1961 to his tragic death on November 22, 1963. The videotape emphasizes Kennedy's and America's hopes for his term as president. Uploaded by Public.Resource.Org under Joint Venture NTIS-1832 with the National Technical Information Service.
Wait! Don’t digitize and discard!
Some libraries, library organizations, and library managements believe they can "manage" their collections better by first digitizing historic collections of books and other paper and ink information sources and then weeding their collections of these materials. Such projects will reduce the number of copies held in the aggregate by all libraries (Lavoie, Schonfeld, Schottlaender, Yano). One problem that these projects often overlook is the subtle (and not so subtle) differences between the legal standing of paper and digital objects with regard to access and use. Too often, creators of digital objects attempt to impose copyright restrictions on the digital objects even if the originals were in the public domain. Additionally, digital objects are often encumbered with licenses and technological restrictions that limit how they can be used and who can use them. The digital objects are often just not as accessible or as usable as the original print. How bad would it be if we threw away our print collections in favor of digital collections that are less accessible and less usable? Randal C. Picker, who is Leffmann Professor of Commercial Law and Senior Fellow at the The Computation Institute of the University of Chicago and Argonne National Laboratory University of Chicago Law School, has written a paper and created a presentation on just this issue.
- Picker, Randal. 2013. Access and the Public Domain. Rochester, NY: University of Chicago Institute for Law & Economics. Coase-Sandor Institute For Law And Economics Working Paper No. 631.
- Picker: Access and the Public Domain (Fordham IP Talk), YouTube (Apr 6, 2013).
"This is a version of a talk that I gave at the Fordham IP Conference on April 5, 2013. It is based on my paper Access and the Public Domain, which was published in the San Diego Law Review."
- Access rights and use rights are different animals and operate in different legal settings.
- Even though the public domain is coming online, the financing models for the projects will result in efforts to restrict use ina variety of ways.
- Those efforts will be situated at the intersection of technology controls, contract, terms of use, copyright and the CFAA (Computer Fraud and Abuse Act).
- Perhaps a truly public public domain, something like the DPLA perhaps, is required to avoid the path of non-copyright control over the public domain.
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